Digital Naiveté

Performance Art and Experimental Film (2:09)

Digital Naiveté is an experimental video art piece which explores the transition of the nonconsensual sexualization of women’s bodies from the physical world into the digital. In recent years, the internet has become a forum to create and share hateful rhetoric, without an awareness of its impact offline. Using my body as a canvas for animated projected imagery, I showcase various digital messages written on the topic of women’s rights or bodily autonomy, illustrating the connection between sexualization and the dissolution of personhood. 

Text included in the art piece comes from social media sites, text messages, articles, political cartoons, petitions, and proposed legislation. These words are framed with imagery that contextualizes the piece: hand prints, lightning bolts, blurred abstract shapes, and plastic surgery markings. To generate a feeling of anxiety, I designed a buzzing static animation by photographing blots of tar using a document scanner, reminiscent of the recent digitization of misogyny. 

By repositioning digital documents in the physical world, one is reminded of the impact that these words have on the body and mind. The intention of Digital Naiveté is to allow viewers to analyze the way that they speak to others, especially women, on social media platforms. It has become normalized globally for us to use harsh language towards strangers online, despite real-world consequences. I aim to devise a conversation that fosters an open dialogue on bodily autonomy and the way that social media impacts our right to self-rule. 

Digital Naiveté was premiered at the Ragtag theater in Columbia, MO, in addition to being exhibited at the Columbia Art League.